{"id":10678,"date":"2019-03-26T15:07:24","date_gmt":"2019-03-26T19:07:24","guid":{"rendered":"http:\/\/www.morrin.org\/?page_id=10678"},"modified":"2021-01-18T17:12:53","modified_gmt":"2021-01-18T22:12:53","slug":"the-saw-the-sprite-the-stadacona-punch","status":"publish","type":"page","link":"https:\/\/www.morrin.org\/en\/lhsq-publications\/laugh-lab\/the-saw-the-sprite-the-stadacona-punch\/","title":{"rendered":"The Saw, The Sprite, The Stadacona Punch"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Satirical\nnewspapers first appeared in France in 1830, with <em>Le Charivari<\/em> having the largest impact. Some ten years later, the\nBritish followed suit with <em>Punch<\/em>,\noriginally subtitled \u201cthe London Charivari.\u201d A similar pattern occurred in\nCanada, with the earliest satirical papers being French (<em>Le Fantasque<\/em> in 1837), and English ones appearing soon after (<em>Punch in Canada<\/em> in 1844).&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Over\n40 satirical newspapers were published in Quebec and Montreal from 1830 to\n1890. Most were short-lived and pushed a political agenda. Some existed solely\nfor the duration of a political campaign. Using wordplay, puns, verse, and\ncartoons, they mocked local elites, rival newspapers and\u2014most of\nall\u2014politicians.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the early 1860s, three English-language satirical newspapers existed in Quebec City. <em><a href=\"https:\/\/eco.canadiana.ca\/view\/oocihm.8_06225\">The&nbsp;Saw<\/a><\/em> (1863-1865) and <em><a href=\"https:\/\/eco.canadiana.ca\/view\/oocihm.8_04245 \">The&nbsp;Sprite<\/a><\/em> (1865) opposed Confederation, the latter taking a more pro-British approach. <em><a href=\"https:\/\/eco.canadiana.ca\/view\/oocihm.8_06238\">The&nbsp;Stadacona&nbsp;Punch<\/a><\/em> (1865) was less political, drawing inspiration from the British magazine <em>Punch<\/em> (1841-1992). Its masthead featured a Punch puppet (of Punch and Judy fame) made over as a stereotypical \u201cIndian.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-1024x1024.jpg\" alt=\"\" class=\"wp-image-10703\" width=\"359\" height=\"359\" srcset=\"https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-1024x1024.jpg 1024w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-300x300.jpg 300w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-100x100.jpg 100w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-600x600.jpg 600w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-150x150.jpg 150w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-768x768.jpg 768w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-1536x1536.jpg 1536w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-650x650.jpg 650w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-60x60.jpg 60w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-190x190.jpg 190w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-175x175.jpg 175w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-1500x1500.jpg 1500w, https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black.jpg 1645w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><figcaption> <strong><em>The Stadacona Punch<\/em><\/strong><br> Mus\u00e9e de la civilisation, Biblioth\u00e8que du S\u00e9minaire de Qu\u00e9bec, SQ051350. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Further Reading<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Aird, Robert and Mira Falardeau. <em>Histoire de la caricature au Qu\u00e9bec.<\/em> Montreal: VLB, 2009.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.morrin.org\/en\/?page_id=10634\">HOME<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Satirical newspapers first appeared in France in 1830, with Le Charivari having the largest impact. Some ten years later, the British followed suit with Punch, originally subtitled \u201cthe London Charivari.\u201d A similar pattern occurred in Canada, with the earliest satirical papers being French (Le Fantasque in 1837), and English ones appearing soon after (Punch in Canada in 1844).&nbsp;&nbsp;&nbsp; Over 40 satirical newspapers were published in Quebec and Montreal from 1830 to 1890. Most were short-lived and pushed a political agenda. Some existed solely for the duration of a political campaign. Using wordplay, puns, verse, and cartoons, they mocked local elites, rival newspapers and\u2014most of all\u2014politicians. In the early 1860s, three English-language satirical newspapers existed in Quebec City. The&nbsp;Saw (1863-1865) and The&nbsp;Sprite (1865) opposed Confederation, the latter taking a more pro-British approach. The&nbsp;Stadacona&nbsp;Punch (1865) was less political, drawing inspiration from the British magazine Punch (1841-1992). Its masthead featured a Punch puppet (of Punch and Judy fame) made over as a stereotypical \u201cIndian.\u201d Further Reading Aird, Robert and Mira Falardeau. Histoire de la caricature au Qu\u00e9bec. Montreal: VLB, 2009. HOME<\/p>\n","protected":false},"author":22,"featured_media":0,"parent":10634,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-10678","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Saw, The Sprite, The Stadacona Punch - Morrin Centre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.morrin.org\/en\/lhsq-publications\/laugh-lab\/the-saw-the-sprite-the-stadacona-punch\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Saw, The Sprite, The Stadacona Punch - Morrin Centre\" \/>\n<meta property=\"og:description\" content=\"Satirical newspapers first appeared in France in 1830, with Le Charivari having the largest impact. Some ten years later, the British followed suit with Punch, originally subtitled \u201cthe London Charivari.\u201d A similar pattern occurred in Canada, with the earliest satirical papers being French (Le Fantasque in 1837), and English ones appearing soon after (Punch in Canada in 1844).&nbsp;&nbsp;&nbsp; Over 40 satirical newspapers were published in Quebec and Montreal from 1830 to 1890. Most were short-lived and pushed a political agenda. Some existed solely for the duration of a political campaign. Using wordplay, puns, verse, and cartoons, they mocked local elites, rival newspapers and\u2014most of all\u2014politicians. In the early 1860s, three English-language satirical newspapers existed in Quebec City. The&nbsp;Saw (1863-1865) and The&nbsp;Sprite (1865) opposed Confederation, the latter taking a more pro-British approach. The&nbsp;Stadacona&nbsp;Punch (1865) was less political, drawing inspiration from the British magazine Punch (1841-1992). Its masthead featured a Punch puppet (of Punch and Judy fame) made over as a stereotypical \u201cIndian.\u201d Further Reading Aird, Robert and Mira Falardeau. Histoire de la caricature au Qu\u00e9bec. Montreal: VLB, 2009. HOME\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.morrin.org\/en\/lhsq-publications\/laugh-lab\/the-saw-the-sprite-the-stadacona-punch\/\" \/>\n<meta property=\"og:site_name\" content=\"Morrin Centre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/morrin.centre\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-18T22:12:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.morrin.org\/wp-content\/uploads\/2019\/03\/LaughLAB_Panneau02_image1_RecadreeRetoucheeJV_Black-1024x1024.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@MorrinCentre\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.morrin.org\\\/en\\\/lhsq-publications\\\/laugh-lab\\\/the-saw-the-sprite-the-stadacona-punch\\\/\",\"url\":\"https:\\\/\\\/www.morrin.org\\\/en\\\/lhsq-publications\\\/laugh-lab\\\/the-saw-the-sprite-the-stadacona-punch\\\/\",\"name\":\"The Saw, The Sprite, The Stadacona Punch - 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